DrunkenBastardMan
Bat Newbie
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Bitten by a radioactive alcoholic as a baby
Posts: 21
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It looks like A Scanner Darkly has gone straight to video, because Video Spot in Craighall had copies in their New Releases section. I really enjoyed it, it's very low-key and overtly paranoid like classic Philip K Dick. Keanu's not bad in it, neither is Winona Ryder, but Rory Cochrane and Rob Downey Jr definitely steal it for me. Certainly a million times better than I, Robot and definitely worth a look.
Just to add my 2c to the 'dumbed-down horror' discussion: I think you'll find that - as the cost of making a movie increases - that production companies are less and less likely to take a risk on anything. So they need to produce a movie they know will bring in returns, basically cutting out anything contentious, new or risky. Which leaves us with the same ol' formulaic retread that has worked for them before (hence things like Friday 13th going up to sequel 8). So, just as it is with music, big companies are pushing through dumb movies that they're pretty sure won't bomb simply because dumb movies that don't bomb have been their staple for so long. It's a depressing prospect, and it's certainly not providing an environment where we'll see another Texas Chainsaw or Salo or Straw Dogs anytime soon. So where does that leave the horror genre? Stuck in pretty much the same rut since 1981, when a no-budget slasher called Friday 13th made $40m in one week and everyone realised horror was bankable. Then, to quote Chas. Balun, "atmosphere, suspense, sympathetic characters, seasoned writing skills and restraint in screen violence were out; the new scenario was to include: explicit and graphic violence and bloodletting, body counts, lots of promiscuous teenage party animals, one dimensional writing, an almost pathological dislike of women, and a very pronounced condescending attitude towards the intelligence of the audience."
Are there any contemporary Hollywood horror movies that don't adhere to these rules? Ever since David Cronenberg went insane and starting making the most boring movies ever conceived, I don't think there are. It remains to be seen whether the new blood like Eli Roth can bring new vigour to a very ill genre — Hostel has to be one of my favourite recent flicks. In the meantime, I'm exploring a much more Cronenbergian idea of horror in Asian cinema and the films of Takashi Miike, Fruit Chan and Park Chan Wook.
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